The Incense Altar was covered with a cloth of Techeilet, then with a protective hide.The Menorah and all of its vessels were covered with a cloth of Techeilet, then placed in a protective hide that hung from a pole.The Table was covered with a cloth of Techeilet, then its vessels were put on top of the cloth they, in turn, were covered with a cloth of Tola’at Shani, red wool, and finally with a protective hide.The Ark was covered with the curtain of the Holy of Holies, then with a protective hide, then with a cloth of Techeilet, blue wool.You can see the full text at the bottom of the post, but here’s the gist: One of the most mysterious and obscure places in which this occurs is in Numbers 4:5–13, the section of the Torah dealing with the way the Mishkan was disassembled and prepared for transport in the wilderness (if you were only vaguely aware this section even existed, I’m right there with you). Because there are, in fact, several instances in which one or more of these colors is used on its own, and not as a unit. Yet this theory, which explains what the fabrics mean as a whole, doesn’t completely solve the mystery of the colors. Thus, the interwoven fabrics act like a border, reminding anyone entering the holy inner chambers of the Mishkan that they are no longer in man’s world – the interior of the Mishkan is God’s domain. The basic thesis of the video was that the interweaving of the four colored fabrics was meant to evoke the rainbow, which itself symbolically represents man’s dominion over Earth. I wanted to take that material a step further here, and dig a little deeper. Hi all! In this year’s Pekudei video, we started digging into the deeper meaning of the colored fabrics used in the Mishkan.
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